Sophia Roe of The Garment on 13 Things She Would Buy Again

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The Copenhagen-based stylist and co-founder of The Garment is every minimalist's muse

Need some shopping inspiration? In Lucky 13, fashion tastemakers share the 13 items they’re loving so much, they’d hit “Add to Cart” twice.

Sophia Roe has established The Garment as a highlight on the Copenhagen Fashion Week calendar in three short years since co-founding it with designer Charlotte Eskildsen. The Danish creative's refined, minimalist style already had a following of five hundred thousand-plus before she channeled it into a clothing label. Now, it's available internationally via SSENSE and Luisaviaroma, in the form of deliciously soft knitwear, tailored suiting separates, and evening dresses—all in a true minimalist's palette of gradated neutrals.

The Garment's latest show, held in a cavernous gallery populated by larger-than-life marble statues at Copenhagen's Thorvaldsens Museum, was the most assured manifestation of Roe's taste yet. "I think this time I felt much more confident in all that I do working on the brand—everything from casting to art direction to styling," she told BAZAAR. "We are still a very small team and do everything in house. It is always fun seeing everything coming together in the end. "

Her runway collections and her personal style share the same close-to-home muses. "I am always inspired by Danish women, being so confident in both her masculine and feminine energy. It shows in the way we are dressed and her grounded attitude on the streets," Roe said. On her latest runway, this balance appeared as a mix of '80s menswear suiting and romantic crochet and tableware-inspired linens. In the Lucky 13 items she shared with BAZAAR, it manifests as sculptural jewelry, textured bags, and separates with rich textures—heavy on labels like Saint Laurent, The Row, and Alaïa.

"I was never into hoops, but recently fell for these. After styling our Spring/Summer show I realized I need to be better at using statement jewelry with staple pieces."

"The best way to source inspiration, or to dig into an era, is always through books. If not online we buy them abroad. We have quite a collection now."

SHOP IDEA

"My go-to when getting gifts for friends and family: a personalized lip balm from Officine Buly. It's made with only natural ingredients for chic moisturizing on the run."

"Because I am pretty old school when it comes to notes or writing down tasks for the day."

"This is a 1930's-inspired bag from Bode. I see myselfwearing this hand-beaded bag with jeans and a tee, an evening jacket and a pair of ballerinas."

"I've always dreamt of the 'Tank' Chair in Zebra from Nordic designer Alvar Aalto."

"After styling the show I can't get my mind off Monies. [It's] a family-owned, one-of-a-kind handmade jewelry brand, based in Copenhagen."

"The perfect white is always to be found at Place Vendome, at French label Charvet."

"I'm always looking for a perfect pair to go with my oversized sweaters."

"I can never get enough belts. I see myself wearing it with my Toulouse dress from The Garment.[It] is what I wear most on nights out."

"It's the perfect everyday bag for an effortless look."

"When in New York I always make sure to stop by Desert Vintage. The pieces are well curated and I enjoy mixing vintage with new pieces."

SHOP DESERT VINTAGE

"This coat is my must-have for the fall to come."

For more than 150 years, Harper’s BAZAAR has been the preeminent fashion, beauty, and lifestyle resource for women at every age. We cover what’s new and what’s next in fashion by working with the world’s leading authorities in ready-to-wear, footwear, accessories, and more. Every story we publish has been thoroughly researched and vetted by our team of editors and industry experts.

Halie LeSavage is the fashion commerce editor at Harper's BAZAAR. Her style reporting covers everything from reviewing the best designer products to profiling emerging brands and designers. Previously, she was the founding retail writer at Morning Brew and a fashion associate at Glamour.

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